Showing posts with label Rooney Mara. Show all posts
Showing posts with label Rooney Mara. Show all posts

Thursday 20 February 2014

Her



Spike Jonze’s Her is a sweet, poignant and yet gently chilling romantic comedy about a man who falls in love with his computer’s operating system. Nominated for five Oscars, including Best Picture, it’s been met with critical acclaim. It features a fascinating conceit which is deeply explored and contains some beautiful set and costume design as well as some exceptional performances. Why is it then that I found it as cold as a hibernating laptop?

It’s 2025 and Theodore Twombly (Joaquin Phoenix) is a letter writer in Los Angeles. His marriage has failed and he’s delaying the signing of his divorce papers, holding out for a second chance which he knows is never going to come. Desperately lonely, he’s become a slight recluse, distancing himself from friends while maintaining a false sunny disposition in their company. One day Theodore sports a newly released operating system (OS) in a mall, one which promises to learn and adapt, whose artificial intelligence is designed to be more than a computer but to be a friend. Samantha (Scarlett Johansson) as the OS calls herself, becomes Theodore’ friend and soon, his lover. 

Wednesday 20 March 2013

Side Effects



I was in America recently and thought it would be a good opportunity to see a movie which won’t be out here in the UK for a while. Unfortunately I was there at a rare time during which there was little in US theatres which wouldn’t be in the UK by the time I got home. So instead I saw Side Effects, a film I hadn’t had a chance to see in England. Side Effects is said to be the final movie by Director Steven Soderbergh, the man behind films such as Erin Brokovich, Solaris and Contagion. Although not a huge fan of his entire back catalogue I think losing Soderbergh to film making would be a shame. He has produced some very fine films over the years with Side Effects being one of them.

We join the story days before Martin Taylor (Channing Tatum) is released from a four year prison sentence for insider trading. His wife Emily (Rooney Mara) is eagerly but nervously awaiting his release. In the days following his return, her mood shifts towards anxiety and depression and when she drives her car straight into a wall she begins to see Psychiatrist Jonathan Banks (Jude Law). Banks tries various methods and drugs before discovering the new drug Ablixa seems to control Emily’s moods. The drug gives her the side effect of sleep walking though, a side effect which turns out to have disastrous consequences for Martin, Emily and Dr Banks. The event destroys Banks’ career and while trying to clear his name he discovers a deeper, seedier plot.

Saturday 26 May 2012

The Girl with a Dragon Tattoo

"Why would they remake something when they can just go see the original?" - Niels Arden Oplev

Mikael Blomkvist (Daniel Craig) is a journalist who works for Millennium Magazine in Sweden. He has recently lost a libel case bought against him by a crooked businessman. Retired businessman Henrik Vanger (Christopher Plummer) asks computer hacker Lisbeth Salander (Rooney Mara) to do some background research on Blomkvist before asking the journalist to help him uncover the mystery surrounding his niece’s disappearance in the 1960s. Blomkvist accepts the challenge and begins work on a small island inhabited by many of the Vanger family. Salander, after going through unbelievable hardships is eventually tracked down by Blomkvist and agrees to help him with the case. The two of them attempt to get to the bottom of the mystery but end up uncovering much more.

This is a good film but I have many problems with it. The first and most major problem is that there is no reason for its existence. The novel The Girl with the Dragon Tattoo was made into an excellent feature film (review here) in 2009 and this version brings nothing new to the table except that it is in English for all the stupid/lazy tw*ts who can’t be arsed reading subtitles. I do not see the point in making this film other than to fill the pockets of Hollywood and to further dumb down English speaking audiences. It isn’t even as though the Swedish version is difficult to come by. I spotted it in my local HMV for less that £5 just a few days ago. It. Is. Pointless.