Showing posts with label Morning Glory. Show all posts
Showing posts with label Morning Glory. Show all posts

Wednesday 28 March 2012

Morning Glory

Morning Glory is a 2010 comedy (apparently) drama set in New York. Becky Fuller (Rachel McAdams) is an up and coming TV News producer who loses her job on a New Jersey TV show due to budget cuts. She lands a job in New York City at Daybreak, a national morning network show which is struggling with poor ratings and a lack of funding and direction. Becky sacks the male anchor and tries to get veteran journalist Mike Pomeroy (Harrison Ford) to join co anchor Colleen Peck (Diane Keaton) in fronting the show. Pomeroy has to accept due to a clause in his contract but makes it clear both on and off air that he is above the show and doesn’t want to be there. Somehow Becky must try to improve the ratings before her boss Jerry Barnes (Jeff Goldblum) cancels the show.

Do you think she will manage it? Will Mike Pomeroy come around and save the show? Will Becky end up in a relationship with the hot guy she meets on her first day? Of course she will. The plot is so obvious you might as well have a director’s commentary telling you what is going to happen next. It isn’t just the plot that’s obvious but specific parts of the dialogue. I found myself saying what characters were about to say before they said it. The film treats its audience like idiots, as does the TV show which they are trying to save. It is the kind of sunny, happy, vacuous show that is on some channels in the morning. You know the type. Here in the UK it’s whatever is shitting all over the screen if you tune into ITV in the morning. I was actually routing for the arrogant and grumpy Pomeroy when he tried to inject some current affairs in amongst the stories of psychic pets and celebrity name changes. Occasionally the script will make fun of these types of shows but then go straight back to telling Pomeroy he can’t talk about the news.


The film has one of those terribly annoying and patronising soundtracks which sound like a tampon advert. Every time Becky makes strides we get some uplifting warbling from Natasha Bedingfield and then some slow schmaltz when she hits hard times. It’s predictable and lazy.

There are so many idiotic problems with the film. After losing her job, Becky is offered a job in NYC which is one of the most expensive cities in the world. She is told she will be earning half what she earned in New Jersey but moves in to an apartment that is large enough to swing several cats. Also, while she is still on the verge of having her failing show cancelled, she is offered her dream job on The Today Show, which makes no sense. What makes even less sense is that she turns down her dream because Harrison Ford makes a bloody frittata on TV! It’s infuriating. The Daybreak office is unrealistically unkempt. The filmmakers try to get across the idea that the show is in turmoil by having everyone speak at once in a production meeting and showing that the door knobs are broken. I’m pretty sure that even the forth biggest morning show in the richest nation on earth could replace a couple of f***ing door knobs! This film is so stupid!


This is a truly terrible film but is partially salvaged by four excellent actors. At least three of them should have gone nowhere near it but nonetheless, all four are good. Rachel McAdams is affable as Becky. This is a role she is comfortable in but has done many times before and since. Diane Keaton is believable as a news anchor and Jeff Goldbum is good in a very small role but is by no means stretched. The standout is Harrison Ford though who, although playing a version of himself brings some gravitas to the film. His character really seems like he doesn’t want to be there, but that could just be the actor’s emotions showing through. Patrick Wilson also features but has so little to do it is hardly worth mentioning him. He basically has to flirt with Rachel McAdams and act sad when she thinks about work too much.

I wouldn’t recommend this film to anyone. Even for fans of the normal Rachel McAdams rom-com type films, this would be disappointing. It isn’t funny, nor is the idea interesting. The romantic storyline feels like it was added on the set and if not for some fine actors paying their bills I wouldn’t have made it to the end. There is nothing to like here.

3/10