Zero Dark Thirty

The follow up to Kathryn Bigelow’s Oscar winning The Hurt Locker is Zero Dark Thirty, a film set around the ten year hunt for Osama Bin Laden. Opening with an incredibly visceral, sound only montage of 9/11 telephone recordings in which people are heard calling home and on the phone to the emergency services the film then follows the next ten years in the hunt for 9/11’s orchestrator, Osama Bin Laden. Young CIA Operative Maya (Jessica Chastain) lands in Pakistan to begin work at the US Embassy and various black sites in the area. She witnesses torture first hand and soon picks up a lead which she believes will bring the US to Bin Laden.

The final forty minutes of the movie creates an incredibly realistic reconstruction of the final assault on Bin Laden’s compound and is perhaps the most compelling and seemingly accurate depiction of a black ops mission I’ve ever seen. Tense doesn’t even come close and despite knowledge of how things would pan out I was still glued to the screen with awe but felt repulsed by its realism. The realism actually made me feel uncomfortable and although I think that Zero Dark Thirty is a good film, I didn’t like it.

Safety Not Guaranteed

The latest film from the Duplass brothers is Safety Not Guaranteed, a film about a sad young magazine intern (Aubrey Plaza) who joins her boss (Jake Johnson) and fellow intern (Karen Soni) in tracking down a man who has left an advert in a local newspaper. The ad reads: “Wanted: Somebody to go back in time with me. This is not a joke. P.O. Box 91 Ocean View, WA 99393. You'll get paid after we get back. Must bring your own weapons. Safety not guaranteed. I have only done this once before.” Intrigued and hoping to discover a crazy man worth writing a story about, the three of them set off from Seattle to Ocean View to track the man down. They find Kenneth (Mark Duplass), a paranoid man who believes the Government are following him. Slowly Kenneth begins to accept Darius (Plaza) into his plans but is he crazy or is he on to something?

I was recommended this film by Malone on Movies and had heard very little about it beforehand. Just this morning I saw it was on The Vern's worst of 2012 list which made me worried. What also worried me was my total lack of interest in Jeff Who Lives at Home, a film I really disliked. I have really enjoyed the Duplass’ work in the past though and to be fair this film was written by newcomer Derek Connolly and directed by Colin Trevorrow but retains a lot of the quirky plotting, expert dialogue and unusual situations which has made some of the Duplass’ work great.

Your Sister's Sister

Filmed over just twelve days and largely improvised, Your Sister’s Sister stars Mark Duplass as Jack, a man struggling to function a year on from the untimely death of his much loved brother. Jack’s best friend and brother’s ex-girlfriend Iris (Emily Blunt) offers to let Jack stay at her father’s secluded cabin to help clear his head. When he arrives he finds that the cabin is already occupied by Iris’ sister Hannah (Rosemarie DeWitt), a lesbian who has just ended a seven year relationship. Mark and Hannah get to know each other and a bottle of tequila later end up in bed together. When Iris unexpectedly arrives early the next morning a barrage of secrets, lies and half truths comes her way as the other two try to hide what happened the night before.

For a film with a budget which wouldn’t cover Twilight's glitter funds, Your Sister’s Sister looks great. Occasionally you can tell that it was done on the cheap but it never matters. The improvised script and three superb performances help to give the film a realism which propels the drama and comedy forward towards a crescendo, a turning point from which there is no way back. The film’s great selling point though is its story.

Jeff, Who Lives at Home

Jeff (Jason Segel) is a thirty year old man with a puncheon for the film Signs and lives in his mother Sharon’s (Susan Sarandon) basement. His older brother Pat (Ed Helms) still lives close by with his wife Linda (Judy Greer). He and Linda are in the midst of serious marital problems. One day while she is at work, Sharon asks Jeff to go to the shop to pick up some wood glue. Convinced that the name Kevin is some sort of sign he ill advisedly follows various Kevins’ around the city bumping into his brother along the way.

To me the film was like a cross between a Wes Anderson film and The Office. It has the odd, quirky indie charm of an Anderson picture but the awkward humour and filming style of The Office. Unfortunately it was neither as good as any Wes Anderson film I’ve seen nor The Office. At times it was quite funny but these moments were usually fleeting and there weren’t many of them. The story was reasonably interesting and the film had a sweet ending but it just didn’t mesh together. The whole ‘the Universe will show me the way’ nonsense was really annoying and although the ending was very sweet, it was obvious and annoyed me.